by Sherif Awad
In its 44th edition, the International Film
Festival of Rotterdam (IFFR) actively continue to support independent
filmmaking from around the globe with its funds and screenings since it has
become one of the most recognized cinema platform in Europe in launching new
films and rising talents. The festival’s Tiger Awards Competitions, Bright
Future and Spectrum sections contain recent work only, among which many world
premieres. In its Signals section, IFFR presents retrospectives and themed
programs. In its 2014 edition, IFFR scored 287,000 admissions and ticket
sales and received in its two weeks running period around 2,400 film
professionals. The festival’s Official Selection includes some 220 feature
films and 320 short films out of 60 countries. Arriving in the last week of the
festival need fast adaptation to the weather and the crowded film schedules.
Festival of Rotterdam (IFFR) actively continue to support independent
filmmaking from around the globe with its funds and screenings since it has
become one of the most recognized cinema platform in Europe in launching new
films and rising talents. The festival’s Tiger Awards Competitions, Bright
Future and Spectrum sections contain recent work only, among which many world
premieres. In its Signals section, IFFR presents retrospectives and themed
programs. In its 2014 edition, IFFR scored 287,000 admissions and ticket
sales and received in its two weeks running period around 2,400 film
professionals. The festival’s Official Selection includes some 220 feature
films and 320 short films out of 60 countries. Arriving in the last week of the
festival need fast adaptation to the weather and the crowded film schedules.
South Korean writer-director Jung-bum Park, Tiger
Award-winner for his 2010’ Journals of Musan, returns to Rotterdam this
year with an impressive and challenging story about poverty, inequality and
human suffering in today’s South Korea. Park also plays the leading role
himself, as a toiling worker trying to wrest himself free of his fate without
giving up his humanity. He is Jeong-Cheol, a building laborer in the
mountainous province of Gangwon who is taking care of his niece and his
mentally unstable sister. He sets to work at a failing farm where soya-bean
curd is made, but the bitter winter starts to take its toll and a fungus hits
the fermented soya.. Despair is juxtaposed with moments of well-chosen
surrealism, captured in beautifully choreographed shots. And somewhere, the
possibility of a friendly gesture lurks.
Award-winner for his 2010’ Journals of Musan, returns to Rotterdam this
year with an impressive and challenging story about poverty, inequality and
human suffering in today’s South Korea. Park also plays the leading role
himself, as a toiling worker trying to wrest himself free of his fate without
giving up his humanity. He is Jeong-Cheol, a building laborer in the
mountainous province of Gangwon who is taking care of his niece and his
mentally unstable sister. He sets to work at a failing farm where soya-bean
curd is made, but the bitter winter starts to take its toll and a fungus hits
the fermented soya.. Despair is juxtaposed with moments of well-chosen
surrealism, captured in beautifully choreographed shots. And somewhere, the
possibility of a friendly gesture lurks.
In Becoming Anita Ekberg, US filmmaker Mark
Rappaport pays a video art tribute to Swedish bombshell Anita Ekberg who
passed away in Italy January 11. Rappaport reconstructed some of Elberg most
memorable scenes in La Dolce Vita and her successive films in the 1960s.
Rappaport pays a video art tribute to Swedish bombshell Anita Ekberg who
passed away in Italy January 11. Rappaport reconstructed some of Elberg most
memorable scenes in La Dolce Vita and her successive films in the 1960s.
The Swiss duo Stéphanie Barbey and Luc Peter travelled to
the US-Mexican border to film Broken Land, a documentary that shows how
sacred this location is for many of the Americans based there. Interviews made
by the two filmmakers show how the residents who live in constant fear of the other
furiously guard the borders with high fence and electronic camera in order to
prevent illegal migration. High metal poles form the boundary between Mexico
and the United States. Even cats can’t pass between them, and climbing over is
virtually impossible. Those fences are both physical and ideological.
the US-Mexican border to film Broken Land, a documentary that shows how
sacred this location is for many of the Americans based there. Interviews made
by the two filmmakers show how the residents who live in constant fear of the other
furiously guard the borders with high fence and electronic camera in order to
prevent illegal migration. High metal poles form the boundary between Mexico
and the United States. Even cats can’t pass between them, and climbing over is
virtually impossible. Those fences are both physical and ideological.
Polish filmmaker Marcin Dudziak presented his latest film Calling
about a Father and his young son who went on a journey on boat but end up in
fear of isolation. Gradually, the relationship between the two starts to
change: the lonely stay in nature offers the boy a new perspective on himself
and his father.
about a Father and his young son who went on a journey on boat but end up in
fear of isolation. Gradually, the relationship between the two starts to
change: the lonely stay in nature offers the boy a new perspective on himself
and his father.
From Portugal comes Horse Money by Pedro Costa in
which the director follows the character of Ventura who has Parkinson’s disease
that affects his memory. Ventura remembers, more or less, that he grew up in Cape Verde and left for Lisbon as a
young man, where he embarked on a poverty-stricken existence as a bricklayer
which the director follows the character of Ventura who has Parkinson’s disease
that affects his memory. Ventura remembers, more or less, that he grew up in Cape Verde and left for Lisbon as a
young man, where he embarked on a poverty-stricken existence as a bricklayer
